影片名称：七次机会

上映时间：2013年

影片类型：剧情,爱情,悬疑,恐怖,犯罪

影片导演：于越

影片主演：菲利浦·布化尼克迈耶,达娜·李,阿莎·帕雷克,Dietmar Huhn,简·亚历山大,徐亚洲

资源类别：全集完整未删减版

总播放次数：870

Helô (Letícia Sabatella) tem uma relação conturbada com sua mãe Ruth (Selma Egrei) além estar presa em um casamento infeliz. Tudo muda quando ela conhece Leda, por quem se apaixona e começa um empolgante romance. A nova relação não é bem aceita nem por sua família e muito menos por Ruth, o que potencializa o atrito entre as duas.

童晓丽(👩)(lì )本来想要数落一(yī )下他们(🍵)，给班上同学敲敲警(jǐng )钟。

It's the early 20s, just after World War I. In Sweden, restrictions on alcohol are harder than most people like and so, smuggling is abundant. In this particular little town, smuggling is ruled by one man, who is the king of smugglers. The smugglers who work for him don't get to keep much of the profit themselves, but if they don't work for him, they get in trouble, which his henchmen make sure. However, Albert Jansson arrives in town and starts taking up the competition with the smuggler king. Meanwhile, the police, together the customs office, try to catch the smugglers.

乔易青几次想喊她停下来，悦颜却浑然不觉，依旧往前走。

只是她刚一动(⏮)，就被肖战用手固定(🈚)住脑袋，然后，他毫不犹豫的吻上了她的双唇。

劳尔，为了尽力(🔻)挽回他的婚(🙊)姻，在圣诞节期间和(♓)(hé )安妮(🗾)及他们的儿子来到一僻静的山间小屋度假(🐦)。由于他们的之前生(shēng )活太糟糕，圣诞之夜他们需要一段不曾有过的快乐时光。但这(zhè )次旅行却陷入一种循环，他需要用他的行动穿过(🐂)险(😐)恶的幽径，回到现实。

五十年(👤)代後期的黃飛鴻電影在成熟(shú )中求變，黃飛(fēi )鴻的妻子本來很少露面，這一部打正旗號夫妻上陣。老牌動(dòng )作女星(xīng )鄔麗珠飾演黃(huáng )師母，與(😶)黃飛(fēi )鴻一樣(🌝)通曉(😝)(xiǎo )武功醫術(🕠)，一樣行俠仗義。鄔麗(lì )珠保持略為男性化(🚮)的形象，智(😎)勇雙全，常施妙計打擊(🚺)壞人，關德興則沉穩實幹，配成南北和類型的超齡案例。導演是鄔的丈夫、武俠片名導任彭年，故事基(🛋)本在夜間發生，十分講究攝(🍗)影(🚇)，運用油燈、燈籠、煙火，甚至(zhì )灑石(🔙)灰粉，營造夜景中的影像層次。不少富立體感的機關佈(bù )景，配上機巧鏡(🚣)頭，形式和用法均出其不意。民(🚨)族音樂和京劇配(pèi )樂，也加添北方風情。風格比胡鵬大(🛅)量執導的強烈，具有詭異的驚悚感，算是系列中的異(🤮)品。

法庭戏串(chuà(🌇)n )联起来的三个小(🅾)故(🛀)事。第一个讲述秃头中年男子误打误撞成(🦇)为(😱)通缉重犯，脑残(cán )女粉大闹法庭，两人(rén )携手走天涯；第二个故事主角同(tóng )样是个中(zhōng )年秃子，破产后打零工维生，阴差阳错下男扮女装受雇为女仆，与(yǔ )女主人(rén )发展出了一(yī(😏) )段恋情。。。最后一个故事讲(jiǎng )的(de )是个(gè )爱车如命的出租车(chē )司机，莫名卷入一桩绑架案，司机小伙勇救(jiù )被绑女人质(zhì )最后赢得美人归的温馨轻喜剧。

Mrinalini, an ageing actress, writes a suicide note. As a performer, the first lesson she had learnt was timing – the perfect moment for making an entrance or an exit on stage. On the stage of life, her entrance had been outside her control; but she wants to choose the moment of her exit at least.

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