影片名称：无人之境

上映时间：2017年

影片类型：悬疑,惊悚,历史,冒险

影片导演：Hayato Takahashi

影片主演：卡瑞娜·费尔南德斯

资源类别：全集完整未删减版

总播放次数：710

钱掌柜接过来一(yī )看，心中当下就敞(📸)亮起来了，知道秦公子不是那种会平白无故占他便宜的(🕔)人！这不，给(👑)的这五十两，就足够弥补他(tā )的损失了。

说(😶)着张(🏂)婆子就拎着(zhe )鸡出去了，直接(jiē )就进了灶间(jiān )。

冷锋看着那个背影，仔细回(😊)忆了一下刚刚发生的事情，肯定的说道：它虽然(🎋)有属于我们人类的眼睛，但它(tā )不是人，是一只丧尸，等级应(yīng )该(gāi )还(😙)不低，最少比巨型丧(sàng )尸要高出一级。

When a group of friends go hunting and accidentally kill someone carrying a bag full of money, their friendships are put to the test when the bag's tr...

动(dòng )画名家北山清太郎制作的早期(qī )动画。

八旬老翁金茂独自(zì )住在平(píng )溪的透天厝里，老伴已先行离世，儿女皆(🛬)已各自(zì )安身立命于台北。尽管健康走下坡，台北仍是一个金茂永远都亲近不了(le )的地方，医院几(jǐ )乎是他对这城市的唯一印象。某日，金茂又因胃痛(🏢)住院。病房里，步...

The seven-year-old Kid, his brother Billy and there mother living on a farm. The mother of the children's is always sad. One day, something painful happened for the poor family and the kids have to make a future by themselves.

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

卢瑟（克林特·伊斯特伍德(dé ) Clint Eastwood 饰）是(😭)一(😅)名技术高超的神偷，在经过了深谋远虑的计划之后，他将下一个目标锁定在了大富翁沃(✏)尔特沙利文（E.G.马绍(📅)尔 E.G. Marshall 饰）的豪宅之上。在沙利文夫妇外出度假的当(💘)口，卢瑟潜入了(le )大宅，正当信心满满的他准(zhǔn )备大干一场时(shí )，卢瑟在眼(yǎn )前的...

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