影片名称：封闭的神秘大地 下卷 苍眼之章

上映时间：2020年

影片类型：日漫

影片导演：Zachary Treitz

影片主演：,李小冉,于文文,朱丹,张瑶

资源类别：全集完整未删减版

总播放次数：704

From the New York Times review:

作为文化项(xiàng )目(mù )里反映缉毒题材的电影《斩毒行(háng )动》以“枪战”、“战友情”、“卧底(💁)”、“父子情”作为影片的(de )看点，拍摄地(🎃)分别(🏛)于云南、缅甸、泰国进行，是(🤼)一(🍺)部体现毒枭、悍匪、背叛、枪战、警方、睿智、英勇(⛎)、战斗、亲情、道义、人性、牺牲的(🌱)新时代大片。

A young man and woman meet at the beach. The man falls in love with her despite her perpetually moody personality. She soon reveals that she is dying and has only a few months to live.

此时刚刚还怀(🏩)疑张秀娥的一些人，就把目光落(luò )在了(le )蓝衣姑娘的身上。

夫の転(zhuǎn )勤で東京へ引っ越(🧔)してきた杏。誰も知(zhī )り合いのいない街で(🌋)、友達作りのため、ヨガ教室へ通っていた。

院子里面有阳光，阳光洒落在身上，再喝一点热茶，也就不是十分冷(🌼)了。

Frank Seltsam goes for fast cars, beautiful women and expensive drugs. As recently things go down the drain, his frustration explodes in an orgy of blood, champagne and heroin.

肖战微眯着双眼，狭长的眸(móu )子(🍯)透着一丝冷意，墨(mò )黑的瞳色让人感觉到潜伏的危险。

The Ivory-Merchant duo are known for their luxurious-looking films, the camera often caressing each fish-fork with the same love it displays for the protagonist. It's somewhat refreshing here to see Merchant without Ivory. Merchant's camera displays the same love for detail that the Ivory-Merchant duo's does, except that it is much grittier, caressing the protagonist's vomit with the same attention that it bestows upon his exquisite Jamewaar shawl. I refer to Shashi Kapoor as the protagonist, because he steals the role away from Om Puri. Om Puri plays the timid Deven, a college professor bent on interviewing his idol, the formerly grand but now-alcoholic Urdu poet, Nur. Shashi Kapoor is perfect as the obese, alcoholic, henpecked, decaying poet because his own appearance encapsulates this decay. Those who do not recognize him as the hero in scores of Bollywood films or in many early Ivory-Merchant productions will miss the subtlety of this cinematic reference, because Kapoor's own physical decay perfectly encapsulates the theme of decay that is central to the film. Shabana Azmi is as competent as ever, bringing a hint of feminism to her character's plagiarism of her husband's work, as well as highlighting the inherently masculinist nature of the poetry that confines a woman's role to the object of desire and nothing else.

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