影片名称：Branded

上映时间：2013年

影片类型：剧情,爱情,歌舞,奇幻,冒险

影片导演：BorjaSoler

影片主演：任亦霏,乔丹娜·布鲁斯特,Barry Clifford

资源类别：全集完整未删减版

总播放次数：908

在舞蹈(🈴)界，阿(ā )朗Alan（阿兰·德隆饰）是个大名鼎鼎的人物，后来因(yīn )“腿残”退役。尽管阿朗表情冷峻、训练苛刻，但如果在他创办(bàn )的舞蹈学校接受(shòu )指导，受训的女青年将很有希望成为一名职业舞蹈家，因(yīn )此(🔟)她们(🔟)狂热地崇拜他。但是，如此崇拜他而热衷舞蹈(dǎo )的她们，一旦被他发(😃)觉缺乏艺术天赋和身体条件，则会被(👎)他(🔷)毫不客气地清退掉，以致于一些这样(💶)的女学员沮丧(📥)而自杀。莉丝洛特Liselotte（孔苏埃洛·德阿维兰饰）就是心甘(gān )情愿地选择在阿朗的窗下狂舞而死在(🌌)他(tā )的面前(🦎)，紧接着，另一名(míng )被(🗜)清退的女学员、警长米(mǐ )歇尔(✨)Michel （克洛德·布拉(lā )瑟尔饰）所追求的女人埃拉Ella（玛丽娜(🛸)(nà )·绍拉(lā )饰）割腕自尽。随着阿朗的学(👓)生(shēng )死亡人(rén )数的增加，警方怀疑阿(ā )朗有意导致她们的(🔒)死亡，米歇尔警长也开始进行调查。与此同时(shí )，达芙妮(🕖)Daphné（冬妮娅·金津格饰）是个(👝)(gè )立志(zhì )舞蹈事(shì )业的美丽女孩，自知身体(tǐ )条件尚缺的她试图用肉体换得阿朗的青睐(là(🔬)i )。当阿朗不顾舞蹈教师希科Chico（帕特里克·迪蓬饰）的异议而单独指导达芙妮时，会有谁知道，这个冷酷无情的女性厌恶者的内心已悄然发生着(🥄)微妙的变化？

张采萱(xuān )现在两(🎣)日给一次(🐑)粮食，胡彻看到里面有一(yī )小包白面，面上笑容(🌺)更大，兴奋的接(😦)过，临走前有(yǒu )些迟疑的道(📱)：夫(🕣)人，我这几日去西山，经常看到那边的杨姑娘。看她样(🍍)子不像是砍柴，拎着个(gè )篮(🚘)子也不采东西，实在是奇(qí )怪。

别啊，我就闹着玩的，没笑话你。声音有点急了。

霍祁然一听，想见到霍靳西的心顿时更加迫切，那我们快点去看爸爸。

张采萱砍了几日柴(chái )火之后, 跟秦肃凛商量道：最近粮食价钱划(huá )算, 反(🏃)正我(🌜)们都要买粮, 不如现在就买回来？

我不同意，不(bú )许去。容隽冷了脸，毫不客气地下了(le )命令。

聂远(👁)乔的脸上带起了一丝笑容：莫怕，我陪(🦒)着你，她不敢(🔃)(gǎn )对你如何的。

In his review of Feminine Melancholy in Kinema Junpo, critic Mizumachi Seiji praises Irie's performance as the best of her talkie career. However, he is very critical of the film itself, which he sees as a typical story of a woman in an unhappy marriage. He is not sympathetic toward the heroine's patient suffering and describes the nagging mother-in-law as a "hackneyed theme." Naruse's detailed "documentation" of Hiroko's role in the household is dismissed as a "manneristic obsession," and Mizumachi suggests that the director is hiding behind "the shadow of the materials." Most severely, he criticizes Naruse for "abandoning his authority as an auteur" by resorting to "shinpa-tragedy," which is seen as a capitulation to a form that has "wielded a powerful hold over the imagination of the masses." Although Mizumachi notes that Naruse has probed into "the deepest recess of the female psyche," he doesn't recognize this as the film's achievement, perhaps because he is looking for something else from the director. His review reveals the difficulties Naruse faced in maintaining his "auteur status" while moving with the tides of popular culture. For Mizumachi, the character of Yoko is the most typical Naruse heroine, perhaps because she is dragged down by her delinquent lover; however, in retrospect, it is evident that Hiroko's tenacious survival of adverse circumstances looks forward to Naruse's postwar heroines.

我早就(🧗)知(zhī )道你不是什么好人！没想到你如今竟然能(🎖)做出这样放浪的事情！端午开始口不择言了起来。

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