影片名称：シングルガール

上映时间：2013年

影片类型：短片

影片导演：理查德·阿滕伯勒

影片主演：板谷由夏,拉扎尔·里斯托夫斯基,丹尼·马斯特森

资源类别：全集完整未删减版

总播放次数：572

EDEN deals with what could possible be a future for most people caught up in the current economic climate in Ireland and how we have taken a bite of the financial apple and borrowed beyond our means. We follow Adam who has been left unemployed and homeless throughout one of his days on the streets and the people and situations he finds himself in on a daily basis.

天幕一片黑沉(chén )，昏黄的路灯之下，细碎(🍦)而绵密的白色无声飘舞而落。

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

十七岁的美丽少女卡捷琳娜（薇拉·阿莲托娃 Vera Alentova 饰）假扮成教授的女儿，在一场宴会上邂逅了(🏸)名为拉齐克夫（尤里·瓦西里耶夫 Yuri Vasilyev 饰）的摄(shè )影师，两人很快就双双坠入了情(qí(🌪)ng )网之中。然而，当卡捷琳娜的真实身份曝光之后(🎵)，拉齐克夫残忍的抛弃了她，完(wá(🎖)n )全不(🔣)顾她此时腹中(zhōng )已经怀上...

干嘛？乔唯一心头忽然升(shēng )起一股子预感。

叶德娴，香港粤语流行曲歌手和(hé )演员，以演活小人(rén )物角色和出(💂)色的歌唱技巧而著名。自60年代起，已(💇)经是一(yī )位香港的歌手，早(zǎo )期主要在酒吧内演(yǎn )唱英语歌曲，直(zhí )至80年代初(chū )，推出粤语唱片后才为人所熟悉。 歌唱(chàng )方(😞)式方面，叶德娴的沙哑的声(🌅)线，独特而(🏎)充满感情(🖲)的爵士唱(chàng )腔，与早期(❇)跟随潮流的娘(🕝)娘腔比较有很大的分别。Born in Tehran in 1972, Massoud Bakhshi got noticed for his very personal shorts, made between 1999 and 2010. Ranging from the serious ('Identification of a Woman', 1999) to the hilarious and biting (Tehran anar nadarad (2007)), from documentary to fiction, his body of work is varied and challenging. After a first foray into the realm of imaginative narration (the 12 minute Baghdad Barber (2008)), Bakhshi proves very successful with his fi...

顾潇潇差点给肖(⬇)战竖起大拇指，给力啊，战哥，面(🍇)对美色不但没被(bèi )诱惑，居然还做的那么不留情面。

芍儿此时开始装傻：我今(🥡)天不过就是好心来(✈)看看你们，你怎么能这样和我说话呢！

张采萱本来弯腰干活，好久没弯腰, 此时她腰酸得不行, 闻(🚜)言直起身子，撑着腰道：村里人人都在收拾地，我们(men )家这(zhè(👈) )虽然是荒地, 撒了种子多少(shǎo )是个收(shōu )成，农家人嘛，种(zhǒng )地要紧。

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