影片名称：Tat

上映时间：2022年

影片类型：视频解说

影片导演：乔许·斯坦菲德

影片主演：张尧,渡边大知,凯瑟琳·戴夫尼尔,托马斯·伊安·格里菲斯,孙正平,金太勋,克里斯·艾迪生

资源类别：全集完整未删减版

总播放次数：596

千星听了，忍不住咬了咬牙，忽然道：(🔠)你不敢等到他表态，那我(wǒ )去问他！我可不怕(➕)面对他！

此时张(zhāng )大湖忍不住的开口说道：秀娥，你咋能这样？咱们怎么(🍞)说都是一家人(👦)，你要是真的断(🕸)了亲，不是让旁(🚶)(páng )人看笑话么？

30年代中期，与日本侵略者暗中勾结的(😑)国民党川军师长刘绍基，垂涎川(😛)剧名旦(dàn )花云舫的(de )美貌，欲行不轨。他借给自己做寿的机会，请花云舫所在的戏班(✖)子到府中唱堂会。但因戏班人多势众，未能得手。 刘绍基在花云舫处一再碰钉子，加之川(📹)剧名角曹(👔)玉昆和随戏(💠)班(👯)子入川的京戏名武生穆小楼(🌕)如影随形地保护着花云舫，使其险恶(🐅)居心难以(yǐ )...

申望津缓步从外面走进来，看见坐在镜子前(qián )的庄依波之(🎅)后，不由得微微挑了眉，道：唔，果然很(🙏)(hěn )好(hǎo )看。

事实嘛(ma )。慕浅说，除非，你不想承这个情，不想让千星对你有那(nà )么一丝丝好(🐃)感

杨丽菁（(💠)英文名：Cynthia Khan ，1968年12月13日－）知名(🛣)台湾女演员，台湾嘉义市(shì )人，后举(jǔ )家迁至台(🎐)湾花莲定居，家中(zhōng )经营金饰店。台北(běi )国光剧(jù )艺实(shí )验学校舞蹈科毕业，与台湾知名演(❣)员李志希(✌)、李志奇、(📆)孙(👧)鹏、庹宗康、屈中恒、林美秀、(📃)杨洁玫等皆为同学好友。

After his star actress, Indre, murders her mother, rich-kid filmmaker Romas plans her escape from Lithuania. His Mexican boyfriend Carlos helps them reluctantly. On the road, Romas begins shooting an improvised experimental film. As events take an unexpected turn, their secrets, memories and emotions make this journey wilder than any film Romas could have imagined.

Gay comedies are a hard genre to master with any subtlety; one side of the fence is occupied by movies made to mock gays for 'straight' amusement, and the other side is to mock straights for 'gay' amusement. Right off the top, I'll say that I enjoyed this film. Not wildly, as 20+ years ago I enjoyed 'La Cage aux Folles,' yet nevertheless it was involving, good characterization, well-edited and paced. Yet, yet . . . . One of the hurdles for most viewers is that the film is deeply rooted in the French gay cultural scene. And if the viewer isn't familiar with that milieu, it will seem as if the film was set in the late '70s or '80s. Everything that the viewer knows or may have heard about gay life in the USA in those years seems very alive here. The point is, that IS the way Paris is, even now. While trend-setting on a variety of fronts, France has NEVER set the pace for gay culture, that honor belongs to the USA. Thus there is a soundtrack out of the Gloria Gaynor days (different songs, but reminiscent of 'Priscilla of the Desert,') and the large background cast of gay characters are reminiscent of times long gone on this side of the Atlantic. If the viewer can accept that '80s-style gay party life is still alive and well in Paris in 1996, then there won't be any jarring sense of "whoa - when was this film made?" The top-billed star is Patrick Timsit in the role of Adrien, the gay main character who loves Eva, longtime friend and owner of a gay establishment. He thinks of her as family, and even says so at one point in the movie. But the STAR of this film is Fanny Ardant (Eva), who easily steals every single scene she is in and not without reason. There is a rather flimsy opening setup about how all the characters meet - Adrien is negociating a deal with Alexandre, a banker, played by Richard Berry (sorry, Gtran, but he's the banker, not the client), and soon various wives, lovers, 'tricks' and others are all in on the act. For anyone not familiar with Ms. Ardant, she is an undiluted joy (go rent 'Ridicule,' now!). Ferociously handsome, wearing her emotions on her face (and her clothes quite well, too)while keeping her heart hidden, she engages the viewer as few actress do anymore (French actresses have a talent for that). I found Mr. Timsit arch and shrill at times, without the underlying tenderness and pathos that invested every moment of Michel Serrault's Zaza Napoli of 1978, but he suffices. Richard Berry does a fine job as a 'hetero' forced to open his horizons a bit while pursuing Eva. Michèle Laroque has the unenviable job of the 'clueless wife,' but her hesitancy and luminous beauty play very well here. Jacques Gamblin as Lemoine, Alexandre's aide, tries very hard to portray a man still caught in the 'it's hard to come out' milieu of Paris (which is, sadly, still true), but he lacks a certain "je ne sais quoi" to quite pull it off successfully; with time, he may very well become a great actor. There are a thousand and one jokes in this film that will only be understandable to francophones - and Parisian French is fast, clipped and very argotic (I can't speak about sub-titling, as I saw a VO [version originale], but I can imagine the inability to relay the sense of the original in subtitles). If you can speak French WELL, you'll laugh a lot. The nod to '90's/21st-century sensibilities about AIDS-awareness is last-minute and feels very false, thrown in as a sop. Rent the movie - it is a cult classic in France, for a variety of reasons. However, I will give you one more: as you watch this film, ponder the differences between American and French culture and consider why, in France of all places, homosexuality is still shameful.

其貌不扬的朝男（邓肯饰），毫无女人缘，他从早到晚想的就是(shì )和女人(🕋)做爱。他认为只要有(yǒu )车就会有女人投怀(🅿)送抱，艳遇不断，但是根本没人搭理他。他卖掉(diào )爷爷(yé )的肝和肾脏，换买了一辆敞篷车，之(zhī )后又是想着飞机头等舱，意图打劫银行，或者是去当演员，但(🦒)(dà(🏜)n )都没有能过成功，他(🎍)的尝试一次又一次的以闹剧和失败收场。

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