影片名称：地铁里的神秘命案

上映时间：2018年

影片类型：动作,惊悚,恐怖,鬼怪

影片导演：大野大輔

影片主演：森田芳光,栗田裕美,吉田美保,小室友里,艾伦·特维特,韩雪薇

资源类别：全集完整未删减版

总播放次数：301

一场车祸意外夺走一对生命。燕玲满怀伤痛处理着后事，也惊讶地得知同志女儿和伴侣尝试人工生殖的心路历程。她回顾母亲在婚姻中的怨怼无奈，检(🎮)视自(zì )己和同父异母妹妹的迥(🐏)异与漠然，更面对女儿留下的胚胎难舍(shě )难断。生命的脆(🐡)弱、无常、多姿多样和(🥉)绵延不息，透过疗愈(🆎)心(⚾)伤的历(lì )程缓(huǎn )缓开展。

霍(🛫)老爷(yé )子大概也知道自(🎿)己说不过(😴)她，因(yīn )此拿手指了(🕊)指她便懒得再多(👉)说什么。

陈十是他们第一次(cì )看见的(🏥)生物，对于陈十的到来，他们(men )也是持有一定的警惕性，又有一丝好奇。

乐天知命的阿曹，生活处事带点乌龙；为人(rén )神经质，又似乎身手不凡，他是一个倚靠“悬红(🏀)”为生的人。这(zhè )次他来(🌭)到(🤶)离岛一家名叫LAZY Inn的小旅馆，追捕一个门警方悬红四十万的抢劫逃(táo )犯(⛹)：李见辉！孙朗清是(shì )旅剧(jù )馆老板的女儿，拥有丰富幻想力及好奇心，从小到大都有点过度活跃(💰)！诸事八卦的父女一(😪)直留意着阿曹这绕个怪客，连...

Based on Martin Walser's modern classic novel Das Unhell, this German film is much shorter than director Peter Fleischmann's original six-hour version. The book was notable for its complexity, psychological precision, and poetic imagery. The many-layered story concerns how a small town responds to the stresses of modern living: the political changes, social changes, and personal problems which change the nature of their once secure world forever.

沉哥，人家好(hǎo )几天没看到你，想(🤟)你了啊。庄梦不怕死的准(💺)备往蒋慕沉的(de )身上蹭一蹭(🛑)，还没埋头下去，便被蒋慕沉一把给推开了。

Jeremy（又称Powder）的母亲在去(qù )医院的路上，不幸被雷电(dià(🕤)n )击中。在生(🔏)下全身无毛像(🔏)一(🌯)个白化病人一样的Powder（肖恩·派特里克·弗兰纳里SeanPatrickFlanery饰）后她来就去世了。而Powder遭到了父亲的厌恶与抛弃。祖父母(mǔ )抚养了Powder，但是为了保护Powder不受(🏴)外人的歧视...

Richard Sarafian is a decidedly underrated director. After finally seeing this, it's satisfying to report his VANISHING POINT was not a flash-in-the-pan. FRAGMENT...does not move at the same pace, nor does it get the viewer involved quite as quickly, but once you're about twenty minutes in, you're hooked until the end as Sarafian and screenwriter Dehn continually manipulate reality and our perceptions of it, along with lead character David Hemmings' perceptions of it. Really brilliant in the way it portrays a matter-of-fact unfolding of events that seem like a conventional, yet still insidious conspired-murder-by-blackmail-ring plot. But then we're constantly shown by the dialogue and actions of other characters that these events we've just witnessed may never have occurred. As an audience, we're constantly being shifted back and forth, momentarily convinced that recovering-addict-turned-successful-writer Hemmings is undergoing paranoid delusions, then the next moment convinced there really is a vast conspiracy against him and his investigation into his rich aunt's death. Disturbing and constantly involving, sucking the viewer in until the shocking conclusion. Unfortunately, the film's one real liability, which may in fact be the reason for some viewers' antipathy toward this film, is its totally inappropriate music score. Not only is the score mixed too loud on the soundtrack, it repeatedly draws attention to itself, often diffusing the effects Sarafian is trying to achieve. If only they had gotten someone like John Dankworth who could have composed a similar jazzy score but much more subtly and in keeping with the film's rhythms. Of course, even better would have been Ennio Morricone, someone who had already scored many Italian giallo thrillers that had attempted to play with reality in a similar way. Whomever hired Johnny Harris made a big mistake. His score is the one thing that keeps this from being a genuine little masterpiece.

经过长达14年的努力，阿提终于在(zài )清迈远郊的拉达乐(lè )园购买了(le )一幢属(shǔ )于(yú )自(zì(📯) )己的房子。他事必躬亲打理(lǐ )房中的一切，满心欢喜等待妻子小斑(bān )和女儿小楠、儿子纳(Ⓜ)特从曼谷到来。正(🦁)处在青春期的(📤)小楠被迫和好朋友以及一直(🌽)照料自己的外婆，因此心(📳)中愤愤不(bú )平，对父亲时常语带讥讽。与此同(tóng )时，阿提一家的快乐喜悦也并(✖)未持续多(🏳)久。某天，同小(xiǎo )...

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