影片名称：正红旗下 - 电影

上映时间：2015年

影片类型：电影

影片导演：安德鲁·林肯

影片主演：侯耀文,杰森·德鲁克,关根明良

资源类别：全集完整未删减版

总播放次数：183

女作家海(🚕)伦（(🥦)安妮·班克罗(luó )夫(fū )特(tè ) Anne Bancroft 饰）住在纽(niǔ )约，她常常为自己不能买到所(suǒ )需的珍稀图书而沮丧。偶然，她在一本杂志上发现(xiàn )一则来自一家英国旧书店刊登的广告，便抱着试探的心态给这家位于(yú )伦敦查(🐴)令十(shí )字街84号的马(mǎ )克书店老(lǎo )板写了求书单。很(hěn )快，马克(👓)书店给了她一个超乎(hū )想象的惊喜：她买到了自己一直苦苦寻找的珍品书籍，并且还获得(🐢)(dé )了弗兰克（安(ān )东尼·(👸)霍普金斯 Anthony Hopkins 饰）对书籍珍本的诚意推荐。自此，两个热爱书籍的人开始了长达20年的书信(🍣)来往。海伦(lún )不仅向弗兰克求购难寻书籍，还与他分(🐋)享自己(jǐ )的读书心得。两人(🐕)互相交流文学观点，评述名家作品。弗兰克奔波四处为(wé(🔠)i )海伦购买书(shū )籍珍本(👉)，海伦则从美国寄来丰盛食物，为书店员工(gōng )们缓解(⏩)因英国实物配给制而造(🌜)成的(🕞)食物(wù )匮乏难题。两人通过持续书信来往成为精神至(💋)交。海(📉)伦一直想(🖇)前往伦敦拜访弗兰克，却因为各种突发情况而(🥀)未能如愿(🌱)。直(👘)到她收到弗兰克去(🌒)世消息的书信，她(tā )才终于(yú )坐上了飞往英国的飞机，而此时，查林十字街(jiē )84号的马克(🎾)书店却面(🔙)临着被拆迁……

姜启晟也没再多(duō )言，而是和两位侍卫一(🚩)起把行李搬上了马车，最后走到了满脸是泪的勒生面前：这个小院(yuàn )还有一个月才到期(😽)，你若是没有落脚的地方就(🐧)先住在这里，以后多保(🥘)重吧。

故事讲述流浪牛仔约翰．(🏴)伯恩斯返回故里，拜访他昔日(🎧)曾经爱慕(🈂)的好姑(gū(🙏) )娘邦迪，得知她已同其最好的朋友保罗结婚(hūn )。但保罗因为非法穿越美国/墨西哥边境而遭逮捕被判(🌯)两年监禁，总能轻松越狱的伯恩斯打算亲自去监狱帮好友越狱。他设法进了监狱后发现老朋(péng )友并不想逃跑，无奈自己脱逃，他准备好马匹和粮食后，在(zài )他熟悉的山路中躲避一干现代(dài )警力的追捕。在一望无(wú )际的荒山野岭中，展开一(🍽)场老式牛仔(zǎi )与现代警力对峙的猫鼠游戏。

今(jī(🈲)n )天全体拿到优秀(🖍)，再没有比这件事更让人高兴的(👋)了。

如果是这么(me )说的话霍祁然顿了顿，那我也伤害了我跟苏苏之间的感情(🎑)，我是不是也该向这样，去挽(wǎ(🌈)n )回一波？

想到这(zhè )里，蒋少勋只觉得头疼(💑)不已，他是(🎫)成年人，知道什么事情能做，什(😎)么事情不能做。

In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."

张秀娥的声音(yīn )一沉：瑞(ruì )香！我希(xī )望你以后不要听风就是雨(♊)(yǔ )的，我和(hé )孟郎中之间什么关系都(dōu )没有(yǒu )，刚刚(🌄)孟郎中也只是给我娘来看看病，至于别的你(🏴)就别胡乱揣测了。

山的侧面，有一(🥩)处颇(pō )为陡峭的山坡，张三丫指(zhǐ )着下面说道：姐，就是这下面。

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