影片名称：湖畔的陌生人

上映时间：2013年

影片类型：大陆剧

影片导演：Timur Ezugbaya

影片主演：岛田绅助,南·格雷,威利斯·伯克斯二世,迪马克梅·阿基莫夫,马可·洛伦兹尼

资源类别：全集完整未删减版

总播放次数：529

This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery.

時は西(⛪)暦2033年。世界をリードするのは統一をとげて繁栄を謳(🔼)歌する超大国「アフリカ(🔶)合衆国」。一方、ヨーロッパは、失業、紛争(zhēng )、疫病、相次ぐクーデターに悩まされる途上国となり、貧しいヨー(⛄)ロッパ人(🚔)たちは楽園大陸アフリカへと押(yā )し寄せていた。オリビエとポーリーヌの(🏁)カップルは退廃したフランスに見切りをつけ、アフ(✨)リカ移住を決意する。しかし、アフリカ合衆(👴)国(guó )のビザは容易には下りず、闇ブローカーを通じて密(⛪)入国を計ることに。だが、(🎁)やっとの思いで上陸した憧れ(📡)のアフリカでは、高学歴のヨーロッパ人でさえ低賃金単純労働にしかつけず、差別を受けながらの厳しい生(shēng )活を送ってい(🏘)た。さらに移(🔃)民たちは、ヨーロッパ移民をめぐるアフリカの国内政治に翻弄される厳しい現実(shí )に巻き込まれていく(🎪)。

只是(🐯)那笑未达(dá )眼底，在(🌙)她冷艳的眸子深处，隐藏的是数不尽(🚼)的冰冷。

A few days before Christmas, 10-year-old Stine finds herself in a small town after stowing away on a train. Seeking shelter from the cold winter night...

清道光年间，洋人以做生意为名，大肆向我国倾销鸦片。花(📬)旗盗首(📈)领(lǐng )郑(zhèng )一为人侠义豪爽，他劫富济贫(🤱)，在海上专劫洋人阿走私(🌟)(sī )船只，洋(🐻)人对其又恨又怕。郑一身边的几名勇将七海、郭婆带和张保仔(🐷)均是他收养的孤(gū )儿，郑一不仅将他(🛰)们养(yǎng )大，还使他们成为武艺高强的男子汉。在一(💏)次进攻东印度鸦片(piàn )船(🔘)只的战斗中，郑一不幸被害。在郑一的(🖤)妻(qī )子阿晴和七海的支持(🐢)下，在江湖上已小有名气的张保(🚕)仔(🦊)当上了花旗的首领。郭婆带为此(🚯)(cǐ )心存不满。张保仔率众继承义父遗志，不断打劫洋人船只，开(🕑)仓卖粮接济穷人，深受百姓拥戴。这一切均被微(🖍)服私(🛹)访的两广总督林则徐看在眼(🥄)里。英国领事向林则徐施加压力，要他剿灭骚扰英“商船”的海盗。林则徐未予理睬。张保仔(👴)(zǎi )结识了一位被卖青楼的女子冬潮，对(🌖)(duì )其(💊)颇有(yǒ(🍊)u )好(hǎo )感，准备(🥀)为她(tā )赎身。正当他回大本营(yíng )取(qǔ )钱(qián )时，恰遇(🤒)海上黑旗首领邬石(shí )二。邬石二请求花旗与黑旗联合起(🍹)来对付清政府。在郭婆带(dài )的激将下，张保仔与郭一起潜入清水师营行刺林则徐。在水师营，张保仔被林则徐禁烟的爱国之举而(🐂)感动，放弃了行刺计(jì )划。郭婆带以为张保仔投(🅾)靠了官府，愤而离去。张保仔(🐇)与冬潮成亲了。深夜，早与洋人勾结在一起的邬石二挑唆郭婆带率人袭击了花旗大本营。张保仔带领众人奋起(🚅)(qǐ )抵抗，邬石二一伙落荒而(🤶)逃。海岛上，邬石二企图污辱郭婆带的女友浪里白条，郭婆(pó )带一怒之下结果了(le )这个江(🤺)湖败类。英国人背信弃义，将一万(wàn )多箱鸦片强运入港。林则徐令全省水师待命，镇(zhèn )守海港(👮)。英舰(jiàn )公然向清水师(❌)营开炮(🈲)(pào )，眼看海关(guān )将被攻破，张保(🏍)仔毅然率众前来助战，炮火枪弹中冬潮中弹(dàn )身亡(🚊)，阿晴亦身(shēn )负重伤。张保仔愤怒地驱船向敌舰冲去。就在这时，郭婆带与浪里白条也前来支援。张保仔等人冲上敌(🤮)舰同英军展开了白刃之战。危急时刻，林则徐率援兵赶到，击退了敌舰。庆(🎚)功会后，张保仔谢绝了林则徐要他(tā )加入水(🍋)(shuǐ )师营的提议，重新登上了渔船，他要(💗)漂洋过(guò )海去实现自己的理想(🐏)。

当初霍靳南身份曝光的时候，慕(mù )浅才刚刚来到(dào )霍家不久，那时候她自己每日都惶惶不安，自然也关注不到霍家的事情。

傅瑾南吃痛，嘶(🐻)一声放开她的唇，便听(tīng )她轻轻喘着气，上挑的眼尾微抬，柔柔地(dì )望(🍏)着他(🦅)，尾音软糯：亲够了吗？

因为顾潇潇速度太快，而且(👙)针尖划开衣服的缝隙太小，众人根本就看不见。

蒋慕沉：别乱动，再乱动就把你丢在这里。

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