影片名称：甜蜜地狱之家

上映时间：2023年

影片类型：剧情,战争,西部

影片导演：Suzanne Raes

影片主演：艾丽·巴姆博,安吉丽卡·布里奇斯,朴文熙,希瑟·玛塔拉佐,大卫·柯南伯格

资源类别：全集完整未删减版

总播放次数：218

北陸(lù )の海沿いのある町。実業家で町の実力者でもある旧家、宇島家の主人、理一郎は、ある(🕸)朝、海辺でずぶ(🍒)濡れになって倒れている(⛳)気憶を失った女を助けた。このひとりの不思議な女を迎え、宇島(🥒)家の人々の(🏁)心は様々に揺れる。一人娘の伊代も少女らし(🐑)いとまどいと興(xìng )味を抱いた。女手ひとつでこの家を守っ(📇)てきた祖母の図世は、息子の嫁を早く失ったこともあり、女を家に置こうとする理一郎に異(yì )議を唱えず彼女を看病する。理一郎は(🛑)次第に女に魅せられていき、伊代は幼い頃の母(mǔ )の記憶に胸を痛めながら、大人(rén )たちの成り行きを見守る。ある日、理一(yī )郎の亡妻の弟(🧡)、伊代の叔父にあたる征夫が都会の生活(👂)を捨て(😟)て、この町に帰ってきた。征(🥁)夫は理一郎に仕事の世話(😫)をしてもらっていたが女を家にとじ(🎛)こめる理一郎に批判的で、やがて二人は対立(🐷)する。征夫は姉と理一郎の結婚に深い傷痕を(👋)残していたのだ。だが、征夫は家を守る男の自信と尊厳の(🤧)ある理一郎にかなうはずもなく、思いを寄せるさちこと別れ、ひとり町を去っていく。しばらくし(📋)て、女に気億(yì )が蘇った。心中したが、男だけ死(🆘)に、自分は生き残って(📞)しまった。理一郎の望み通り、(🧓)この家(jiā )に留るに(📏)は辛すぎる気憶。だが、理一郎の女に対する感情は極まっていた。謎の女の(📳)出(chū )現で、大(dà )人たちの未(wèi )知な(💃)る世界に直(🛤)面した伊代は、幼い(👎)体に宿る激(🤠)しい感(gǎn )受(👍)性ゆえ(🤕)に、父や女に殺意(👬)も覚えるのだった。

A young woman finds herself onto a desolate beach and tries to find out the how and why of her immediate life. Along with a lost memory, to further complicate her situation a man who she discovers washed up on the same beach attacks her. Fighting to stay alive she goes on the run from the stranger and desperately tries to piece her memory back together. Criss-crossing through the savage coastline and a claustrophobic London setting she finds her answers in an unrelenting world where spies, betrayal and obsession are the daily currency and identity is as shifting as the tides.

据资料显示，蒋蓝(lán )被杀的时候(🎤)，林夙正往返于(⛓)桐城通往邻市(shì )的高速路上，可是霍靳西却说，当天晚上，林夙在家。

电脑公司技术顾问埃利奥特(🔣)理查森老实又(🥝)愚笨对于感情他更显得(💶)呆头呆脑虽然爱上公司漂亮的女同(tóng )事爱莉森却一直羞于表达直到一晚埃利奥特(📷)在酒(🛵)吧终于在同事的怂恿下鼓起(qǐ )勇气向爱莉森求(✈)爱(👯)然而却以被拒绝(🍺)和讥笑收场此(cǐ )刻(✅)一位神秘而妖(yāo )艳(yàn )的红衣女人出现在失魂落(luò )魄的埃利奥(ào )特的面前原来这名女子正是魔鬼的化身她诱惑埃(🦊)利(👡)奥特只要他交出...

"She's Bad, She's Blonde, She's Lunch." A couple hold up a store to pay the rent, then take an ill-fated trip to Lover's Lane, where they meet a man involved in genetic research. "Cardinal Sin." A young man escapes into Hustler fantasies and must avoid his overbearing and religious mom. Eventually he ameliorates his situation. "Pet Shop of Death." A henpecked husband goes to a specialty pet store to get something to help free him up so he can pursue his neighbor. "Last Love." A psychiatrist is forlorn over the loss of her husband, and takes steps to make her affair with his ghost more permanent. "What Goes Around..." A composer who can't create music since the death of his wife and child finds new inspiration from the affair with a femme fatale. But she has a price.

侯貝葛地基揚新片《Gloria Mundi》已(🆚)於2018年11月底於馬賽開拍，預計拍攝至隔年1月中結束；他在訪問中透漏，這部片(piàn )隱喻當今社會中自私與個(gè )人主義的勝利，團結(jié )主義終將(🛣)以悲劇告終，整部片基調也將走(zǒu )向比較黑暗的氛圍。

“Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’ of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption.

尼拉斯的父母离婚之后一直跟(🚳)着父亲生活在比利时，父子二人形影不离，但尼拉斯却是一个内向寡言的男孩子，这让父亲伤透了脑筋。有一天，尼(⛎)拉斯收到了母亲寄来的快递，里面是一(🏕)条套索(🤥)，套索是狩猎用的，意思很明显，母亲想要邀请(qǐng )尼拉斯(🍵)去找她。但尼拉(lā )斯(🌔)并(bìng )不想离(lí )开父亲，他(🐢)对(duì )于(yú )前方的未(🕯)知感到了恐惧，但(🏦)尽管如此，父(🕔)亲依旧把他...

却听申望津道：霍先生(shēng )在意(yì )家人，我也(✈)有自己(jǐ )更(gèng )在意的仅此而已。

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