影片名称：你的妻子借给我

上映时间：2015年

影片类型：喜剧,动画,悬疑,家庭,犯罪

影片导演：克雷格·史维希奇

影片主演：永尾玛利亚,胡婷婷,王广达,杰罗姆·柯万,Stig Engström,格雷戈里·沃尔科特,内田伽罗

资源类别：全集完整未删减版

总播放次数：959

反正(zhèng )人都得罪了，她今天要是不(🚘)折一下秦家的脸(liǎn )面，根本就对不起自己！

西(⭕)蒙（凯德·麦拉德(📩) Kad Merad 饰）曾是(shì )一名非常有名(🏅)的小提琴演奏家，对(🚑)这项乐器充满(🕘)了热情与喜爱，可是如今，他却现(🥖)身(shēn )巴黎的一(yī )所初中之中，成为了那里(😞)的一群六年级孩子(zǐ(👙) )们的小提(🛳)琴老师。西蒙对待音乐的态度(dù )非常的严肃，他自己的个性也十分不苟言笑，因此无法和(hé )班上(👣)的孩子们打成一片，孩子(zǐ )们在(🎬)调皮捣蛋的同时(⚓)也非...

In the Spring of 1958. Alice, Marianne and Christina, three women from different social classes in a small industrial community somewhere in Sweden, despite their differences together, and together with some other women, start a book club. What first begins with discussion about contemporary literature emerge soon in a joint writing, where women of a diary of daily events, thoughts and discussion on the chauvinistic society they live in. The innocent writings turns out to soon be anything but smooth. Soon the entire society is shaken, where hidden secrets coming to the surface and the beautiful family facade easily crack and lifelong friendship takes root. Written by Sjöman Production

本片由Paul Morrissey和意(yì )大(🧔)利CULT大师Antonio Margheriti(又名Anthony M. Dawson)联合执导(dǎo )，意大利制(🏏)片巨头Carlo Ponti促成了两位大师的合作(😈)，Antonio Margheriti还兼任特效工作，当然还有监(🕓)制Andy Warhol，已经无法弄清...

真樹日佐夫と影丸譲也原作による、1970年代当時絶大な人(rén )気を博(bó )した漫画を(⛷)映像化したアクションドラマ(🍷)第2弾。氷室(shì )洋二(èr )率い(♑)る(🔃)最強のワル軍団が学園内で(💞)ますます幅を利かせていたその頃(qǐng )、彼らのせいで教職(🚷)を追われた美杉はホステスとして働いていた。

2019 年冬天收到的一盘录像带唤(🚝)起了对 20 世纪的回忆。“从现在起，你会知道他所做的一切。你可(kě )以相信我！”1999 年，17 岁的宝(bǎo )拉（金裕贞饰）面临着在她少女时期（此时友谊胜过一切(qiē )，甚至是...

明知道她就是故意闹他，偏偏却还是由了她。

柳MI高等级的经理为金融机构和一个男人一(🆙)个无辜的妻子。这是一个电影情节曲折惊(jīng )险，描绘复仇和追逐周围的女人的神秘死亡。

"The Tuner" is Muratova's brilliant portrayal of a sick society on the verge of complete moral collapse. Her protagonists are the little people so removed from reality that at times they seem unrealistic, invented, and their actions unmotivated. In the end, their weakness and crushing defeat by the petty con artist gives them moral power that vindicates their social marginality. Their quirkiness, their refusal to live by the rules, or, as in the last scene, to accept their own defeat even when their very survival is at stake, becomes, paradoxically, the last hope for humanity. Against the context of the Orange revolution, "The Tuner" becomes Kira Muratova's prophetic vision of the return of human dignity in her home country.

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