影片名称：最后的谜案 - 电影

上映时间：2022年

影片类型：科幻

影片导演：金澤洪充

影片主演：于雷

资源类别：全集完整未删减版

总播放次数：138

年轻的富家(👠)子(zǐ )弟弗兰克•维勒（Kieran Canter 饰）自幼(🔰)父(😿)母(💄)双亡，只有女(🆚)管家爱丽丝（Franca Stoppi 饰）与他(tā )孤独地生活在乡间的豪宅中。此时弗兰克与美丽的安娜（Cinzia Monreale 饰）相爱，但他们的爱情却遭到爱丽(lì )丝的嫉妒。被嫉妒冲昏头脑的爱(🦎)丽丝求助巫毒邪术，最终导致安娜痛苦死去。

她知道他太累了，一方面要上班，一方面要忙霍靳西在忙的事，还要另外抽出时间和精(🏃)力来照顾(🏅)她(tā )，实在是很辛苦。

明治37年，日(rì(✳) )俄处于(yú )战争时期。灵山早池峰(📒)下的寺庙里正在庆祝蚕(💡)神节，一个琵琶法(🐧)师在佐佐木家弹唱《清(⬆)悦物语》。武夫在(🔻)(zài )佐(zuǒ )佐木家打短工，刚服兵(bīng )役归(guī )来。虽然武夫与佐佐木17岁(suì )的女儿小夜自小就已定亲，但由于武夫家早已衰落，他也开始回(🈵)避小夜。八幡神社欢庆蚕(⚪)神节这一天，一旦武夫(fū )拉(🈴)紧缰(♈)绳，佐佐木家的白马就变得像神马一般威风。今天以后，小夜大胆地拉住武夫要他(🗻)吐露(😾)(lù )真情。当天晚上，武夫(fū )第(🗯)一次与小(xiǎo )夜(🅰)拥抱在一起。不久以后武夫(📐)再度(dù )应征入伍，小(xiǎo )夜拒绝了别人的提亲，光着双脚(💖)在(🌽)神(shén )社里徘徊。在一个风雪交加的夜晚(✝)，佐佐木家的白马冲断栏杆奔向远方，小夜也像着魔一样跑(🐲)向原野。家里人发现(💏)小夜失(shī )踪，乱(🔉)成了一团。而一匹白马载(zǎi )着武夫和小夜，跑过早池峰，又(✉)奔向天空(🍦)。

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

《牛的见证》由四个独(dú )立的部分：“懦弱的伐木手”、“斧头”、“发光的深洞”、“树(shù )林中(zhōng )的战争”，以曼纽一家祖孙三代的故事，组合成一个完整的历史。

而且不单单是太子，怕是太子一家，毕竟太子还有嫡子。

但这毕竟是他们的家事，需要他们自己处理，自己去看清楚。

这(zhè )是2009年BBC电视台的(de )The Catherine Tate Show 第三季(jì ) Special Nan's Christmas Carol 特别节目(🚭)。

许久之后，叶瑾帆才沉沉开口：你(nǐ )怎么在这里？

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