影片名称：迷失出口

上映时间：2021年

影片类型：短片

影片导演：阿道弗·马尔希利亚

影片主演：伊恩·麦克尔希尼,弗雷泽·艾奇逊,石桥杏奈,尾上菊之助,婉妲·奥普琳斯卡,黄霑,里克·奥肯

资源类别：全集完整未删减版

总播放次数：447

Ivan Passer's "Law and Disorder" is a gentle, touching, sometimes disruptively funny movie about—among other things — ignorance, prejudice, rape, larceny, the failure of small dreams, about people trying desperately to cope and often coming apart. It stars Carroll O'Connor as a taxicab driver and Ernest Borgnine as an ex-Marine, who is a hairdresser with a passion for guns. They are the nucleus of a small group of outraged tenants of a housing project called Co-op Village, set on the Lower East Side of a New York City that bears some superficial resemblance to the setting of the inexecrable "Death Wish." "Law and Disorder," is the second American film by Mr. Passer (his first was "Born to Win") whose "Intimate Lighting" is regarded as one of the major achievements of the brief, mysterious renaissance of Czechoslovak films in the nineteen-sixties. Willie (Mr. O'Connor) and Cy (Mr. Borgnine) and their friends are threatened as much by the onset of barren middle age as they are by the collapse of civil order. Thus, when they form a police auxiliary unit to protect their neighborhood, they are as invigorated by the opportunity to wear uniforms as they are by the opportunity to bring peace to the community. Perhaps more so. The uniforms define purpose. They recall a more innocent time, say World War II, when there was never any question as to who was right and who was wrong. The ultimate failure of Willie, Cy and the others is less a comment on their inadequacies, often hilariously detailed, than on the overwhelming complexity of the urban problems they face. It's this awareness on the part of Mr. Passer, as well as on the part of William Richert and Kenneth Harris Fishman, who collaborated with the director on the script, that separates "Law and Disorder" from exploitation junk like "Death Wish." It also dictates the mood of a film that slides between farce and melodrama, between high good humor and enervating despair. Some of Mr. Passer's characters, like Willie, continue to try to improve things. Willie dreams of a new career. He wants to sell his taxi medallion and buy a lunch counter, much to his wife's horror. Says Willie in desperation: "I ain't a failure, Sally, I just ain't on time." Cy, the hairdresser, is a hunter. He keeps an entire stuffed deer in the bedroom and has a piranha fish in a tank in the living room. He doesn't hunt people, however, and he hasn't quite arrived at the point occupied by most of the other citizens of the city whose motto, repeatedly expressed, is an obscene two-word imperative.

An immortal blues musician terrorizes childhood sweethearts reunited over the Thanksgiving holiday.@

遭遇生(shēng )活(huó )变故后，仙姬去了一(👈)个没(méi )有人认识她的地方，开始(🎏)以“智慧”的名字重新生活。

慕浅的心忽然重(chóng )重一(🎨)跳，全身都开始失去力气。

只说这伤(🏈)筋动骨一百天，接下来的日(rì )子，春桃得好好的养着，不能(🧙)做什(shí(🚾) )么重活。孟郎中温声说着。

所以到最后，宋嘉兮也(🎣)不勉强(📀)(qiáng )了，蒋慕沉既然有事，那就去忙吧(🤠)。

出(chū )乎意料的是，慕(mù )浅听到(dào )这个消息之后，似乎并没(méi )有太过惊讶。

瞧着这秦公子也没什么大碍(à(👚)i )，张秀娥的(de )心中已经没什么内疚的(📂)感觉了，就打(🦏)算溜(🕊)之大吉。

一浪して赤城山大学に合格したマサキは、自動車教習所で美人教官の菜々子に一目(🚮)(mù )惚れ。偶(ǒu )然にも菜々子は赤大の卒業生で(🤢)かつ、自動車部のOGで、バリバリの(👈)ドリフターだった。今でも時々は部に顔を出すと聞いたマサキは(🎟)、自動車部への入部を決める。しかしドリフトどころか自動車のこともわからないマサキは、親友・熊太郎の影響や、強面な先(xiān )輩・今井との(♈)対立の中、自分でも知らなかったドリフトの才能に目覚めていく……。

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