影片名称：冰箱里空荡荡

上映时间：2016年

影片类型：短片

影片导演：维克多·萨尔瓦

影片主演：金·寇兹

资源类别：全集完整未删减版

总播放次数：117

世(💰)界上最强的杀手邓肯维兹拉绰号黑凯撒即将退休但前雇主认为他会成为公司的累赘迫不得已的他只能(🗿)重操旧业对抗一伙年轻敏捷残(cán )忍的杀手为了干(gàn )掉邓肯他们将不(bú )择手段

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

张采萱(xuān )一直沉默的(de )听着他说, 此(🌬)时才低声道：我(📣)也多亏(kuī )了有你陪着我。

肖战犹豫了一会儿，刚打算把(🦌)她脑袋按(👳)过(guò )来(💪)靠他肩上，结果手还(hái )没碰到，就被她无意识的挥手打(🐰)开，嘴里还喃喃(nán )着什么。

民国年间，一(👶)个外星人(👩)和(hé )一个地主家的大少爷(yé )单子斋邂逅了，二人一言不合大打出手。单子斋自己打不过就请武师打，请土匪打，打来打去，把外(📊)星人打成了自己的师傅。大少爷看(🌲)上家里的丫鬟春芳，可偏偏春芳不(bú )喜欢他，大少爷求(🌕)助外星人帮助，外星人让他顺其自然，结果大少爷追爱不成，反(🗜)被父亲(🎛)胖揍。大小姐子涵爱上了外星人，因基...

A librarian facing a mid-life crisis travels to Costa Rica.

山东沿海渔(🌊)村的陆(lù )婶只身飞抵洛杉机看望移(yí )民美国的女儿女婿。听不懂英语的(🎁)陆婶，在机场被服务(wù )人(🍬)员介绍给了(le )一(yī )个叫弗兰克的美国老头，原因是陆婶胸卡上女儿的(💞)住址与弗兰(lán )克的住址一墙(🈸)之隔。由于女儿女(🥇)婿被堵(🔲)在去往(wǎng )机场的路上，赶到(dào )机场的弗兰克将陆婶接到了自己位于海滨的一个咖啡馆。

千里迢迢投奔外祖母的林黛玉（张艾嘉 饰）与表兄宝玉（(🌰)林青霞 饰）相会，两小无猜，童言(yán )无忌，虽惹出摔玉的(de )闹剧，却让他们彼此走(🛢)得更紧(🛰)。岁月流逝，兄妹(🥉)俩两情相悦，心意相托。但他们的爱情(🏭)为族人所不容，王熙凤献出偷梁换柱之计(jì )，令宝玉娶得薛宝钗（米雪 饰）。黛玉(🔨)悲痛难忍，含恨而逝。得知(🗽)(zhī )真相的宝玉弃(♉)家出走，遁入空门。

矿工董大兴、崔世荣和李(lǐ )长军都是百年老矿白桦(huà )沟矿的(🎶)工人，是共同经历过矿难的生死兄弟。多年以后，董大(dà )兴成了(le )一(yī )名综采队队长，崔世荣成长为(wéi )白(🤦)桦沟矿的矿长，而白桦沟矿因地质条件复杂(zá )、(🗣)工艺落后(hòu )濒临倒闭，军心涣(📑)(huàn )散长期停产。此时已成为神煤集团副总工程师的(🏏)李长(👽)军(jun1 )以破产重组领(👑)导小组组长的(de )身份率队回到了白桦沟，开始对白桦沟矿这一百年老矿进行破产重组。在安全理念、经营思路、管理(lǐ )制度等(🔝)各(gè )个方面(👈)，李(lǐ )长军等都跟(gēn )思(sī )想保守的矿工们产生了冲突…(🥊)…

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