影片名称：姑获鸟之夏 - 电影

上映时间：2015年

影片类型：剧情,喜剧,同性,历史

影片导演：谢雨辰

影片主演：马莱娜·索尔达纳

资源类别：全集完整未删减版

总播放次数：153

曾(céng )获奥斯卡最佳外语片(piàn )奖的瑞士片，其实是(👄)一部瑞士、英国、意(♟)大利及土耳其跨(kuà )国联合制作的写实电影，描写(😇)偷渡移民的辛酸，有血有泪。主(👓)角是土耳其摩(🈷)德族夫(fū )妇海达与梅兰，两(liǎng )人卖掉所有土地和羊群，决定带(🧛)儿子阿里(🛫)(lǐ )离开落后的故乡(xiāng )，投奔人间天堂的瑞士。他们先偷渡到意大利，遇到好(👅)心的货柜车(🌓)司机愿意带他们到瑞士，但在边界被拒绝入境，遣送至米(mǐ )兰。又在米兰火车站随着私(🎓)枭安排偷渡，登山涉水，终(zhōng )于(yú )踏上梦(mèng )土。瑞士导(dǎo )演扎维埃．科莱(🤲)处理(🔡)这部改编自真人真事的电影手法平实不煽情，但故事本身和非职业演员(🌇)的再现已足(zú )够(💪)令人感动。

林淑面容同样苍白(📖)，抬(⏲)头看了她一眼之后，只有气无力地说了三个字(zì )：抢救中(🔅)。

对付诚的秘密调查正准备收网之际，付诚忽然察觉到异动，仓皇而逃。

想到(😫)这(zhè )里，张小乐浑身止(💖)不住颤抖，那(🗨)是她噩梦的源泉。

她静静站在霍祁然面前，安(ān )静看了他一会儿，才听到齐远的声音：太太，霍先生安排的屋子在这边。

孟行悠(yōu )哪敢再(zài )麻烦别人家的司机，头摇得跟(💧)拨浪鼓似的：不(bú )用了，谢谢叔叔。

景厘正手忙脚乱的时刻，面前出现(xiàn )了一双长腿，紧接着，晞晞就被长腿的主人抱(bào )了起来。

Richard Sarafian is a decidedly underrated director. After finally seeing this, it's satisfying to report his VANISHING POINT was not a flash-in-the-pan. FRAGMENT...does not move at the same pace, nor does it get the viewer involved quite as quickly, but once you're about twenty minutes in, you're hooked until the end as Sarafian and screenwriter Dehn continually manipulate reality and our perceptions of it, along with lead character David Hemmings' perceptions of it. Really brilliant in the way it portrays a matter-of-fact unfolding of events that seem like a conventional, yet still insidious conspired-murder-by-blackmail-ring plot. But then we're constantly shown by the dialogue and actions of other characters that these events we've just witnessed may never have occurred. As an audience, we're constantly being shifted back and forth, momentarily convinced that recovering-addict-turned-successful-writer Hemmings is undergoing paranoid delusions, then the next moment convinced there really is a vast conspiracy against him and his investigation into his rich aunt's death. Disturbing and constantly involving, sucking the viewer in until the shocking conclusion. Unfortunately, the film's one real liability, which may in fact be the reason for some viewers' antipathy toward this film, is its totally inappropriate music score. Not only is the score mixed too loud on the soundtrack, it repeatedly draws attention to itself, often diffusing the effects Sarafian is trying to achieve. If only they had gotten someone like John Dankworth who could have composed a similar jazzy score but much more subtly and in keeping with the film's rhythms. Of course, even better would have been Ennio Morricone, someone who had already scored many Italian giallo thrillers that had attempted to play with reality in a similar way. Whomever hired Johnny Harris made a big mistake. His score is the one thing that keeps this from being a genuine little masterpiece.

骄阳小时候生病(bìng )，但是(shì )他们俩人轮流照顾，就算是夜里(💈)(lǐ )不(🌔)睡觉，也有人陪着，抱着他转转，就不怎么哭了。但若是(shì )肚子里这(🐂)个孩子(✅)生下来后，平时还(🖇)好，如果着凉生病(📆)，就只有张采萱一个人照顾了。

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