影片名称：九龙皇后

上映时间：2015年

影片类型：电影

影片导演：汤米·墨菲

影片主演：唐纳德·辛顿,鸟居美雪,Robert A. Silverman,Eduard Bredun,Colt Romberger

资源类别：全集完整未删减版

总播放次数：537

杰维是纽约有钱家族的少爷，热爱(ài )音乐，个性自由；去巴黎(💾)旅游时(🍵)因为汽车抛锚停在一家孤儿(ér )院，偶然看到朱(🛎)迪照顾一(🛫)群(qún )小(😵)孩子，向朱迪提供了一份奖学金送朱迪(🍢)去美国麻省读大学。他承诺以化名提(tí )供，不接触这个女孩，仅仅(jǐn )要求每(měi )周写(xiě )一封信。朱迪开心的接受了这位guardian的好意，开始(shǐ )崭(zhǎn )新的大学生活。杰维很快把这件事情忘(🥀)到脑后，直到(dào )两年后被朱迪来信打动的秘书提醒他读(dú )信才想起来。读完厚厚的信件，杰维立刻(👆)迫不及待的找个理(📔)由去看朱迪... [故事较原著(🦔)小说偏离挺大，朱迪的特长似乎(hū )从写作变成了歌舞]

张秀(xiù )娥往前走了几步，动了动嘴唇，她想要(yào )开口说点什么，可是这话(huà(👨) )到嘴边了又不知道该说什么了。

斯(sī )特兰奇博士（本尼迪克特·康伯巴(🔃)奇 Benedict Cumberbatch 饰）是一名外科(🧚)手术医生，他拥(yōng )有着高超(🚧)的智商和(hé )精湛的技艺，是医院乃至整个医(🚐)学界的传奇人物。某(🔩)一日，斯特兰奇博士遭遇了一(😧)(yī )场可怕的车祸，尽管保住了双手(shǒu )，但这双手伤(🐆)痕累累不住颤(chàn )抖，这也(yě )就意味着，他再(zài )也(🧠)不能拿起手术刀，站(🛹)在(zài )无影灯下了。

他(🐵)妈妈是谁，真的一点头绪都没有吗？(🌴)叶惜又问(🎍)，霍靳西是真的不知道，还是只是没有告诉你？

On her wedding day, Makiko is stabbed by a woman in wedding dress. The wound isn't serious but the attacker blows herself up and can't be identified. The attacker is thought to be an ex-girlfriend of Tsutomu, the groom. He gives two names to the police but these two are still alive. But there is still one woman in Tsutomu's mind...

赵文杰直接说道：我们四个说说话，让人都退下去。

梦醒魔潭(tán ) 原本是朱莉安和新婚丈夫米奇的蜜月,在朱莉安发现自己(😱)的(de )丈夫(🎏)不想(👛)让自(zì )己离开孤岛时候,蜜月徒然变成了(💵)噩梦,困在(zài )这个荒(huāng )无人烟的孤岛,和外面的世界失去了一切联系,朱莉安意识到他(tā )们(📻)两人只有一个能够活着离开这里,到底...

1945年的桦太，江(📐)莲铁(📇)（吉永小百合(hé )）百般呵护地栽种着的樱树开(🍧)花了，这是(shì )丈夫德次郎（阿部宽）从日本本土带回的种子，八月苏联入侵南桦太，铁与儿子(👫)们逃往北海道网走，寒天冻地裡过着难以温饱的穷困日子，铁始(🚊)终守护着孩子(zǐ )并将他养育(🎾)成人。时光流转，1971年，长大成人的次子修二郎（堺雅人）与妻子真理(😁)（篠原凉子）带着成功的(🚘)事业(yè )从美国回到日本。久别重(chóng )逢，修二郎却对于年迈而略(🚷)显异样的母亲感到相当不安，此时深藏母子心中禁忌的记忆大门，即将被揭开。

This erratically fashioned melodrama begins, with its very opening sequence, as an excessively fabricated version of the actual murder, 16 October, 1975, in (at the time, Portuguese) Timor, of five Australian television reporters, a deed committed by uniformed criminals from an Indonesian Army task force which guaranteed by this barbaric action that an invasion by Indonesia into Timor could not receive media coverage. These victims, customarily referred to as the Balibo Five, after the village wherein they were slain, are termed as the Timor Five for this film that adds as well a fictitious pair of brothers named Wild who, in dubious fashion, evaded being massacred with the others, subsequently somehow making their way back to the Antipodes, whereupon the ensuing behaviour of the brothers, four years after, is seen here. The older of the brothers, Adam Wild (Chard Hayward) makes an unforeseen appearance at Taihape, on New Zealand's North Island (where a good deal of the film was shot), therewith attempting to convince younger brother Kevin (Ivor Kants) toward reappearing with him to the employment field of broadcast journalism, obviously believing that his seniority gives him a vested advantage for sibling decision-making. However, a betrothed Kevin, wordsmith of the duo, Adam being a photographer, favours a less lively existence in Taihape over returning into the realm of manipulative media. The greatest portion of the film dodges about the Balibo Five tragedy, focussing instead upon Adam's amourous experiences, initially with Lani, a Taihape Maori harlot (Margaret Laurence {misspelled as "Lawrence" upon the VHS case), and later with Alison, a much more refined, but no less romantically inclined young woman (Jennifer Cluff). Since Adam's mere presence manifestly stokes libidinous fires within these two, the multi-drama's moments of paramount interest for many viewers will be generated by lustful actions of these three, because Kevin is shunted off-story as are the exterminated quintet of newsmen. Originally named HOUNDS OF WAR, the film is shot in the Philippines (performing as Timor), Sydney and other parts of New South Wales in Australia, as well as Taihape, but the locational shifts fails to add interest for a storyline that is deficient at giving dimension to its characters or in providing clear motivation for their actions. As result, the narrative miscarries, viewers not being given a solid impression of what eventually may occur to anyone within the plot. One notable aspect of the picture involves the sustaining of numerous beatings by Adam Wild, rivalling in number and savagery those given to numerous American private detectives in noirish works of the 1940s and 1950s. Treatment of relationships between Whites and Maoris in New Zealand is perfunctory and not developed at all, as might be expected from a film wherein a sense of reality has been removed, but not replaced with any significant activity. The players work hard at creating their roles, but lack adequate support from the direction, script and editing.

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