影片名称：谍海群雄(港)

上映时间：2014年

影片类型：悬疑

影片导演：约翰·波罗

影片主演：亨利·奥尼尔,曼纽尔陶勒,劳拉·奈特林格,卡尔·马洛特,Jean Rousselot

资源类别：全集完整未删减版

总播放次数：995

泛泛(🥣)(fàn )（周迅 饰）天资聪慧，却局限于实(shí )验室内(🐩)。她不善于与(🏥)男人交流，甚(shèn )至被男人(rén )碰一下都会立时僵硬。精于专研人体科学的她发明了一样秘密武器——费洛蒙，只要把这种东西装在身上，就可以让异性趋之若鹜。铁菱（桂纶镁 饰）是个另类摇(🎡)滚(gǔn )少女(🥚)，爱好打拳击，副(🚑)业写(✒)网络小说。从小迷恋天皇巨 星X，并渐渐(🤷)把他想象成自己的男友，每天形影不离。唐露（张雨绮 饰）才貌双(🥥)全，是大广场投资公司的执行总裁。她所遇到(🈯)的男人，没有一个不对她顶礼膜拜(🌖)，视她为梦中情人。从不对男(nán )人动心的唐露只(🕉)希望人(rén )们明白，她得到(dào )的一切(qiē )是(shì )靠她的才华，不是她的外(🏒)表。

陶可蔓的给的理由也(yě )很陶可蔓，她说：我不喜欢主动追我的，没有挑战性，男人太主动就失(🥟)去了魅力。

大成：老大你太厉害了！！！竟然能找到这个！！！

你们告诉我，你(🐴)们刚刚都干了什么，你们把(bǎ )你(nǐ )们的生命，毫不留情的扔在地上，还有人说她不是故意的，你对你的生命，就那么不在意，不(bú )在(🤰)意到可以不小心把它给弄(nòng )丢(😇)了是吗？我现在让你们去死，你(🎖)们是不是都能不小心给我死一(🔡)个(gè )看看！

流氓黑仔欲利用女侍应菲菲作摇钱树，经常借故亲近，作其(qí )大豪客二世祖状，菲误以为黑(🔷)仔是(🤺)富家子弟，经常与他外出游玩。一次，黑仔借来一艘游艇(🏘)出海，黑仔便乘着浪漫气氛下，成功得到菲的肉体，菲于是对黑仔死心塌地，未几，黑(hēi )仔便(🎌)露出尾巴来，借口欠下贵利数，要菲出来作妓(🧕)女偿债，菲无奈下只好照做。但迎送生涯令她看懂人间世情，一次因(🔛)身体不适而提早回家，才发现黑仔;与另一妓女亲近(jì(🏂)n )，怒(nù )火之下把黑仔去势(🧥)，菲落荒而逃(táo )......

老(lǎo )祖宗啊隔着有(🚏)没多远您喊什么(🏉)喊，耳背吗。

The Ivory-Merchant duo are known for their luxurious-looking films, the camera often caressing each fish-fork with the same love it displays for the protagonist. It's somewhat refreshing here to see Merchant without Ivory. Merchant's camera displays the same love for detail that the Ivory-Merchant duo's does, except that it is much grittier, caressing the protagonist's vomit with the same attention that it bestows upon his exquisite Jamewaar shawl. I refer to Shashi Kapoor as the protagonist, because he steals the role away from Om Puri. Om Puri plays the timid Deven, a college professor bent on interviewing his idol, the formerly grand but now-alcoholic Urdu poet, Nur. Shashi Kapoor is perfect as the obese, alcoholic, henpecked, decaying poet because his own appearance encapsulates this decay. Those who do not recognize him as the hero in scores of Bollywood films or in many early Ivory-Merchant productions will miss the subtlety of this cinematic reference, because Kapoor's own physical decay perfectly encapsulates the theme of decay that is central to the film. Shabana Azmi is as competent as ever, bringing a hint of feminism to her character's plagiarism of her husband's work, as well as highlighting the inherently masculinist nature of the poetry that confines a woman's role to the object of desire and nothing else.

早上(💏)的门诊处人满为(wéi )患，感(👼)冒(mào )发(fā )烧者(🌈)更是比比皆是，连仅有(yǒu )椅子的(⏬)输液室也挤满(mǎn )了人，于是(🍟)乔唯一连输液(yè )室的位置都(dōu )没轮上，就坐在走(zǒu )廊的长椅里，守着(zhe )一根简陋的输液架打着瞌睡(🏴)。

聂老(lǎo )爷笑着说道：凤琳，我(😻)这才回来，你(nǐ )怎么(me )就要(yào )走了(🚀)？

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