影片名称：2025: Blood, White & Blue

上映时间：2014年

影片类型：剧情,动作,爱情,悬疑,惊悚,歌舞,家庭

影片导演：凯瑟琳·毕格罗,蒙蒂·蒙哥马利

影片主演：纳尔逊·泽维尔,加布里埃尔努涅斯,费尔南多·阿尔文斯·品多,安吉罗·安托尼欧

资源类别：全集完整未删减版

总播放次数：269

In the winter of 2003, Legendary Filmmaker Jonas Mekas, moved out of his loft on Broadway, New York, where he had lived for the past 30 years. It was the place where he watched his children grow, and the art scene of Soho become what it was today. It was where Andy Warhol and Allen Ginsberg used to come by for film events and dinner. This film shows Mekas' transition in to a new life living in Brooklyn, and the adventures this entails. Discovering new friends, singing and dancing with his good friend Benn, and their adventures together. Mekas also faces what it is to live along again in Brooklyn, the place where he first lived when he arrived in New York as a misplaced person in 1947 after ww2. A film of Joy, friendship, wine, and song!

A young woman wakes up naked in the middle of the woods. After the initial confusion and after verifying that she's hurt, she discovers a fisherman and hunter who will not easily let his new prey escape. Let the hunt begin.

看(🎼)着他嘴角的笑容(róng )，众人(🚪)心中麻麻(má )批，怎(⛅)么会(🧖)有这么无耻的教官。

张秀娥听到(dào )这忍不住的说了一句：爹(diē )，你不会指望着我给你养儿(ér )子吧？

川(🗨)野俊(💛)郎（笕利夫 饰(shì )）是(😔)一个平凡而又沉默的中年男人(rén )，和在共同在福利社工作的同事有美（清水美砂 饰）之(👍)(zhī )间(🖐)保持着超越了友谊的肉(♉)体关系。尽管彼此相互依赖，但胆怯犹疑的两人都没有(🚚)勇气向对方许下承诺(nuò )，他们之(☔)间的关系就这样一直在不尴(🌗)不尬(🕊)中维系着。

第十一届匈牙利国际视觉电影节日前落幕，成都(dōu )电视台编导彭辉创作(zuò )的纪录片(piàn )《空山》一举摘得电(🗣)视节录像带类最(zuì )高奖———“评委会大奖”。这是该电(🔯)影节举办十一年来，亚洲国家荣获的(💶)最高奖。该电影节(🤟)设胶片类和录像带类两大评(🤦)选系列。此次共有58个(gè )国家的1400多部作品参赛，经8个(gè )国家的评委严格评定，最终50部作品获(huò )提...

蛇头上的碎钻，折射出点点灯光，照进二人的(🙏)眼眸里，璀璨动人。

The third film that Naruse made in 1950, White Beast (Shiroi yaji, 1950), was described by Kinema Junpo critic Tsumura Hideo three years later as "so indescribably miserable as to haunt me even today." Tsumura represents the bulk of Japanese critics of the time, who felt that Naruse experienced a terrible slump throughout the 1940s and this film seemed to be the "bottom of the ocean." The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its catfights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.

唯一留下的，大概就(jiù )是墙边那双整齐摆(bǎi )放的拖鞋——

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