影片名称：dead girls

上映时间：2015年

影片类型：谍战

影片导演：Bobby Khan

影片主演：莫伊拉·布鲁克

资源类别：全集完整未删减版

总播放次数：139

她摸了把眼泪：谁绊(🎢)倒我我会不知道吗？我需要什(🏼)么(me )证据，就是(👴)你，你就(👍)是故意的。

千星朝工厂宿舍大门的方向看了看，估(🔈)摸着(🈵)今天晚上应该是不会有收获了，因此转头就往(wǎng )另一个方(❗)(fāng )向走去，找我干什么？

Pt-218: 第二次世界大(📏)战的(💎)反叛者，不仅讲述了一个真实的故事，而且告诉了我们1942年发生的事情(qíng )的细(xì )节。在(zài )二战的鼎盛时期，大西洋变成了一个致命(mìng )的战场(👆)，美国(guó(🍍) )潜艇与德国军队不断的轰炸作战(zhàn )。

鹿然看到霍靳西，立刻就(jiù )起(qǐ )身走到了他的面前，眼神明亮而热情(🐲)，紧紧抓着(zhe )霍靳西(xī )的手，道(dào )：你是他的哥哥，那你一定知道他最近好不好。他好不好(😬)？

海棠看(🌉)着自己眼前这个年轻俊美的公子，一时间有一些痴了，心(🛡)中暗自想着，她能遇见公子这样的人(🎼)，比其他还在歌舞坊的姑娘，有福气多了(le )！

霍靳北听着她不害臊的言语，微微拧了(le )拧眉，而霍(huò )老(👃)爷子则(🔏)伸出手来掐了掐她的脸。

那男人看见顾潇潇，下意识松(sōng )开李雯雯，抬手格挡。

影片改编自法国当代著名作家约瑟(🔫)夫·若福的自传小说《弹子袋》。在(zài )被德军占领的法国，莫里斯和乔是一对年轻的犹太兄弟，父亲经(💱)营着一家理发店，一家人生活温馨又美满。直(zhí(😱) )到纳粹要求所有犹太人必(🏏)须在外衣上(🎶)缝上一个黄...

Each of the six subjects, Lily McAlevey, Michael Q. Schmidt, Carol Hannan Mulcahy, Michael Mallers (holding the young Gavin Muckey in his arms), and Lillian Centeno are filmed in slow motion, floating upward then descending down to the earth, where they bottom out in gravity's clutch. Yet each person is magically stationary. They do not move an inch. All that moves is their skin, cellulite, muscles, bones, and expression, creating a disturbing yet beautiful shift in body mass and emotion. Even the background stays perplexingly still. The total effect is that of a moving painting. This slow motion study reveals the shocking effects of gravity upon our body. What is normally missed in the blink of an eye, is poetically recorded in extreme slow motion, as gravity takes hold and pulls the body down to earth, causing the skin, cellulite, muscles and facial expression to sag down, with a weariness, as if the subject has suddenly aged thirty years. It appears like a special effect, the force ripples from the legs up, turning the body wrinkled and saggy, with a worn, older face that is defeated and depressed. Then the exact opposite effect and emotion overcomes the subject as they are made weightless and set free. We observe the body becoming youthful, rejoicing in it's expression and flawless skin texture, as it soars away from the earth. All physical and emotional expressions seem to float effortlessly upward in a positive, beautiful direction. The lighting and color palette is created by a strong heavenly top light, used by Renaissance masters, which dramatically exposes the flesh as if it were moving brush strokes and reemphasizes the relation with the heavens, gravity and sheer weight of the world. This emotional shift from optimistic youth to depressed old age provokes a very strong, emotional effect. Therefore, each person interacts with a simple, yet symbolic prop in order to gain more depth into this radical emotional shift.

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