影片名称：红孩儿

上映时间：2014年

影片类型：传记,历史,黑色电影

影片导演：西蒙·鲁梅莱

影片主演：Dallin McKay,文英,莎拉·墨菲,谢尔盖·加尔迈什,Algirdas Brazauskas

资源类别：全集完整未删减版

总播放次数：609

Seven girls must spend the night in an old house, which once was a brothel, as part of an initiation

11岁的本恩(ēn )觉得自己80多岁的奶奶(🈴)只会嚼薄荷糖、玩拼字游戏，身上全是臭臭的(de )圆白菜味儿，他讨厌和(hé )奶奶待在一起。但是有一天，奶奶要(❎)带他去冒险，本恩开始研究地下管道，练习(😻)游泳，学习各种逃生(shēng )技巧…(🧙)…当(🎛)他和奶奶一起就要完(wán )成(💃)冒险计划时，英国女王突然出现在他们面前，本恩(ēn )面对的是惊喜(🏕)还是灾难？

今夜夜色很暗，光线微醺(xūn )，一根(gēn )烟燃到(🔮)了尽头(tóu )，那最后一点微弱的火花也渐渐暗了下(xià )来，直至完全熄灭。

1947年，上海(👛)。为(wéi )破获一起大宗贩(fàn )毒案，警察局(📬)派杨正人打入魔窟。一天(tiān )，杨结识了(le )少女朱丽蓉，二人相爱。不久，丽蓉父亲由于不愿与贩毒分子同流合污而被(📜)杀害。丽蓉误认为杨就是杀父仇(😄)人，在(zà(🍒)i )舅(jiù(🐳) )舅这位(wèi )市参议员的怂(sǒng )恿下，击毙了己掌握大量(liàng )证据的杨正人，随即开枪自杀。最后，丽蓉的母亲(qīn )悲愤地杀死了道貌岸然的哥哥--贩毒集...

而这家餐厅开(⏬)业(yè )的(🚟)时间，是2010年，她离开桐城的(de )年初。

1997年，作为联合国选出的“十大未来(⏪)领袖”之一的靳铁生博士（刘德华 饰）正(zhèng )陷(🔫)入了一场谋杀阴谋，其他几位未来领袖先后身亡，期间全港通讯出现故(📣)障，有人死于人体爆炸……警方迅速展开对靳铁生的(de )保护，然而靳铁生仍然沉浸(jìn )在失去女友(💟)Adele（李嘉欣 饰）的痛苦(🕡)之中，他拒绝了(👩)英国MI6部门的保护，要(🌩)求自己的小(📬)学...

吴氏(shì )说到这里，似(🔺)乎有些(👡)尴尬，道：采萱，你(nǐ )是个(🎡)姑娘家，秦公子没有父(fù )母兄弟，你大概是不会明白我们的心情的。

张秀娥(✋)(é )感觉到气(🕴)氛沉甸甸的，觉得大家有一些大题小做，她笑着(zhe )说道：你们别太担心，我还年轻，以后还是可以嫁人呢！

Charthurst Green, Kent, 1966. Pauline Cox accompanies Mike Robins to a village cricket match in which he is playing, but becomes bored and wanders away. She fetches up at the local railway halt, where she is first entertained to tea by the garrulous, hunchbacked station keeper, then upset by the intrusion of the latter's assistant Ewen, who proceeds to kill a rabbit in her presence. Making her way back to the match, Pauline is waylaid by the simple-minded Ewen as she crosses an apple orchard; when his advances become violent, she tries to fight him off and he strangles her. That evening, the hunchback discovers Ewen with Pauline's body in the shack where he lives, and helps him to bury the corpse in the orchard. Later, however, Ewen inadvertently betrays himself: the body is disinterred by the police and Ewen breaks down hysterically. Years later, the hunchback, who has disavowed Ewen, encourages the friendship of another village youth. Peter Jessop's carefully textured camera work initially lends this mini-feature an edge of the picturesquely sinister. But the resolution of the anecdote is rather forced and anti-climactic, and some of the details (like the police searching the orchard at the dead of night) ring distractingly false. All the same, it represents a debut of some promise.

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