影片名称：生命的情人

上映时间：2018年

影片类型：短片

影片导演：Oleg Shtrom

影片主演：保罗·罗贝森,José María Seoane,塔马·诺瓦斯,马诗红,卡斯腾·拜卓隆,京町子

资源类别：全集完整未删减版

总播放次数：174

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

在中国现代，有一所专门训练忍者的学校，叫(🏟)做赤(🎞)火校园。千年老二山(🚴)土校园为了抢(🌺)夺生源独霸天下(xià )谋求暴力，在研究禁药的教师老土的教唆下 ，正在密谋灭绝整个赤火校园。他们向赤火校园发起挑战，赤火校园必须赢得比赛才能继续经营。。。

该片为贺岁片，《圣诞树》的续集。新年(nián )前不久鲍里斯失去了(le )记忆，唯一能(🔔)帮助他(tā )的是他手(🥓)中的《З.Г(💼).》字符。

一群特(tè )殊的退伍军人徒步旅行者帮助一位退伍军人对抗抑郁症、创伤(🚣)后应激障碍和自杀倾向，他徒步穿越阿巴拉契亚山(👧)道，携带 363 张军人姓名牌，执行防止退伍军(jun1 )人(rén )自杀的任务。这是(shì )一(yī(🤙) )个真实的故事。D

这部隐藏镜头喜剧由《蠢(⛵)蛋搞怪秀 4：坏(🍠)(huài )外公》的制片人之一倾情打造，讲述了两个好朋友(yǒu )横穿全国的公(gō(🚱)ng )路之旅，一路上充(chōng )满了搞笑、创意(👣)十足的恶作剧，把真实的(🐙)观众(zhòng )也拉进了混乱之中。《一(yī )路闹到底》由埃里克·安德烈、(🔒)里尔·莱(😁)尔·哈瓦瑞、蒂凡尼·哈迪(dí )斯和米谢拉·康琳联(lián )合主演。该电影由基陶·萨库拉伊执导，丹·库里(🏻)、基陶(🛸)...

她(tā )对着镜(jìng )子(🌁)里的自己(😫)看了又看，许久之后，她才终于开口，却并没有回应千星的问题，只是低声道：千星，沈先生说，他没有办法打听到他的消息(🌚)，他请我(🔛)帮忙(máng )，希望我(🈵)能借用你那边(biān )的关(guān )系，打(dǎ )听打听情况。

张秀娥听着(🍒)也堵心(🧑)，但(dàn )是堵心的同时，张秀娥尽(jìn )量让自己保持了冷静。

故事讲述充满文青(qīng )气质的汤(🤸)马大学毕业，从父亲(💋)(qīn )的(🛏)豪宅搬到小区生(shēng )活，漂流在纽约大都会中，一日，汤马意外发现父亲有外遇，试图出手阻止但却情不自禁投入(rù )外遇的怀抱。汤马迷失在了偷情的快感与罪疚之中(😗)...

该片讲述想成为得到爱情的女人的中学保健教师吴(👟)珍与表达爱(🏭)情还很生疏的代表车民在的现实(shí )共鸣罗曼史。

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