影片名称：大功告成 - 电影

上映时间：2022年

影片类型：动作

影片导演：莱昂纳多·阿然尼奥

影片主演：许仕琏

资源类别：全集完整未删减版

总播放次数：251

本片取(qǔ )材于中(🎒)国古典文学名(míng )著(🔹)《三国(🔶)演义》，内容(róng )描(miáo )述一个名叫左慈（黎北海）的术士，运用各(🎸)种(zhǒng )法(🚓)术戏弄奸雄曹操(cā(🛑)o )。女主角许梦痕，是香港影片公司演员训练班训练出来(lái )的高材生。摄影师彭年留美多年。内景在香港利园山搭拍(🔱)，外景在柴湾拍摄。

Michael (or Fresh as he's well known) is a 12-year-old drug pusher who lives in a crowded house with his cousins and aunt. His father has become a str...

阮茵一直看着她喝完了(le )汤，这(Ⓜ)才(🏴)满意地笑了起来。

张秀娥确定(dìng )了这个(gè )人是宁安之后，她整个(gè )人就瘫软了起来，她全身的力量都沉(🐼)在了宁安的身(😖)上。

悦(🈂)悦看也(😪)不看那几个信封(fēng )，目光在那盒巧克力上停留许久，最(💨)终还是将手伸进(🚣)了背包夹层，熟门(mén )熟路地从里面掏出了一颗很不起眼的糖果。

Giorgio is a greedy adulterer who makes a deal with a serial killer (Michel Antoine) to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa.

阿洛佐（丹泽尔•华(💰)(huá )盛顿 Denzel Washington饰）是美国毒品缉查部的(de )黑人警探，经验丰富，查案(📭)出色，对毒(♓)品案件有着敏锐的嗅觉(🏆)。人称“魔幻之眼”。这天(tiān )阿洛佐的部门来了一个新同事杰克（伊桑•霍克(kè ) Ethan Hawke 饰），杰(jié )克跟随阿洛佐深入到街头(tóu )的每一个阴暗角(👿)落，发现这个城市光怪陆离的同时，也慢慢见识了阿洛佐亦正亦(yì )邪的办案手法。

孤儿周伟杰与李卓豪一日因偷(tōu )窃被追捕。伟杰被捉拿而卓豪逃去。二人从此(💽)失去联络(🗽)，伟杰被(⛏)探长林昌收养(🔚)，与昌女(nǚ )儿秀芳青梅竹马，卓豪则成为黑帮流氓。多年后二人重逢，虽际遇不同，旧情不改。不久，因黑(🗳)白两道争斗(dòu )，卓豪养父金经理暗中杀死林昌，伟杰向卓(👌)豪问明此事，卓(zhuó )豪不(🆑)忍出卖养父，诈作不知。伟杰毅然加入警队，誓将凶手...

This erratically fashioned melodrama begins, with its very opening sequence, as an excessively fabricated version of the actual murder, 16 October, 1975, in (at the time, Portuguese) Timor, of five Australian television reporters, a deed committed by uniformed criminals from an Indonesian Army task force which guaranteed by this barbaric action that an invasion by Indonesia into Timor could not receive media coverage. These victims, customarily referred to as the Balibo Five, after the village wherein they were slain, are termed as the Timor Five for this film that adds as well a fictitious pair of brothers named Wild who, in dubious fashion, evaded being massacred with the others, subsequently somehow making their way back to the Antipodes, whereupon the ensuing behaviour of the brothers, four years after, is seen here. The older of the brothers, Adam Wild (Chard Hayward) makes an unforeseen appearance at Taihape, on New Zealand's North Island (where a good deal of the film was shot), therewith attempting to convince younger brother Kevin (Ivor Kants) toward reappearing with him to the employment field of broadcast journalism, obviously believing that his seniority gives him a vested advantage for sibling decision-making. However, a betrothed Kevin, wordsmith of the duo, Adam being a photographer, favours a less lively existence in Taihape over returning into the realm of manipulative media. The greatest portion of the film dodges about the Balibo Five tragedy, focussing instead upon Adam's amourous experiences, initially with Lani, a Taihape Maori harlot (Margaret Laurence {misspelled as "Lawrence" upon the VHS case), and later with Alison, a much more refined, but no less romantically inclined young woman (Jennifer Cluff). Since Adam's mere presence manifestly stokes libidinous fires within these two, the multi-drama's moments of paramount interest for many viewers will be generated by lustful actions of these three, because Kevin is shunted off-story as are the exterminated quintet of newsmen. Originally named HOUNDS OF WAR, the film is shot in the Philippines (performing as Timor), Sydney and other parts of New South Wales in Australia, as well as Taihape, but the locational shifts fails to add interest for a storyline that is deficient at giving dimension to its characters or in providing clear motivation for their actions. As result, the narrative miscarries, viewers not being given a solid impression of what eventually may occur to anyone within the plot. One notable aspect of the picture involves the sustaining of numerous beatings by Adam Wild, rivalling in number and savagery those given to numerous American private detectives in noirish works of the 1940s and 1950s. Treatment of relationships between Whites and Maoris in New Zealand is perfunctory and not developed at all, as might be expected from a film wherein a sense of reality has been removed, but not replaced with any significant activity. The players work hard at creating their roles, but lack adequate support from the direction, script and editing.

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