影片名称：我的木偶男友

上映时间：2014年

影片类型：剧情

影片导演：伊萨克·厄兹本

影片主演：帕特里克·克里顿,斯蒂夫·博加尔特,尹晶喜,赞娜·马歇尔,加里·莫顿

资源类别：全集完整未删减版

总播放次数：305

希拉（丽塔·海(hǎi )华斯 Rita Hayworth 饰）是舞蹈团中(zhōng )的台(tái )柱，她的美貌俘获了(🙄)太(tài )多男人的心，其中也包括舞蹈团的高管马(mǎ(🚪) )丁（罗伯特·本奇利 Robert Benchley 饰）。虽然马丁已经有了家室，但这并不妨碍他展开(📡)对于希拉的火热追求，为了讨希拉(📢)的(de )欢心，他买了一条名(míng )贵的手链想要(yào )送给她，哪(😚)知道此情...

冯书文(⚓)把目光落在了张秀娥手上(shàng )的布(🌥)包上，不屑的说道：什么东西？(❣)

慕浅调皮地对他(tā )做了个再见的动作，目送他走进医院大门。

罗尼(Joe Mullaney)和威尔(Will)是住在苏格兰高地(🗞)附近爱(⛩)丁堡的两个游手好闲的小混(📿)混。穷困(🏓)潦倒(dǎo )一无所有的两人总想着某一天能(néng )干点大事。于是他们以罗宾汉(hàn )的(de )英雄情怀自我鼓励，决定“礼貌地”打劫高地观光(guāng )团游客们的现金(jīn )。两个人(🔳)带着狼人面具和小(xiǎo )丑面具(jù )，拿着可以喷出咖喱粉(fěn )的玩(wán )具枪就开始了蒙面抢劫的征程。哪(🐘)知两个人的打劫行为竟然成了吸引高地观光团游客们的一大(📟)卖点，同时，当地警方及CIA探员(Ned Beatty)也悄悄地盯(👷)上了他们…

那是一(🎑)个温(🧣)暖而哀伤、绝望但坚强的故事；也是一个贴近生命，与我们一同呼(🏾)吸的故(gù )事。关于「鹿王」的故事：当飞鹿群遭(🐝)到攻击时，只(zhī )有一头鹿会跳出来牺(xī )牲自己、保全(📶)同伴(🔼)的生命(🔸)――因(yīn )为它生而(🔄)如此。有些生(shēng )命诞生(🚭)的意义，...

赵本山，民间演(🛎)艺奇才。幼年母亲去世，父亲去了北大荒，赵本山开始跟二叔(💅)(盲人)学艺。拉二胡、吹(✡)唢呐、抛手绢、打手玉子、唱(chàng )小曲、二人转小帽等样样精(😮)通，尤其是三(sān )弦(xián )功底尤为突出(chū )。苦难(😊)(nán )的(de )童年成了赵本(🕺)山一(yī )生的财富，为其日后的小品、演艺生涯奠定了坚实的基础。

19世纪末的爱丁堡，在(📓)一个极(🦃)度寒冷(🐜)的冬天，痛苦(🏽)的孕妇找到被人称作巫婆的玛德莲大夫（Marie Vincent 配音）。不久，一个孱弱的婴儿降临人(rén )间，但是这(zhè )个小家伙的心都冻僵(jiāng )了，为此玛德莲帮他安装了机械(🐝)心脏。孩子(zǐ )的生母不告(🏔)而别，玛德莲将其作为亲生儿子抚养，并起名(🛳)杰克（Mathias Malzieu 配音）。她告诫杰克不可以生气，避免强烈的情绪起伏，尤其(🔶)要避免陷入爱恋。小杰克一天天长大，在他十岁的那年他(tā )首度来到镇上玩耍(👦)，并和命运中的(💶)天使邂逅。他的机械心脏出了故障， 冒出浓烟，他知道他恋爱了。从(cóng )这一(yī )天起，杰(🏢)克注定要踏上追寻爱情的征程……

该系列讲述了一个名叫“高(🐃)人”的超自然(rán )邪恶(🚭)殡仪员，把死人变成矮僵尸为(🔙)他卖命，企图占领世界，他遭到了一个名叫麦克的(de )小男孩的抵抗，麦克和哥哥乔迪以及好(hǎo )友雷吉共同面对这一威胁，努力阻止“高人”的邪恶计划。

Gay comedies are a hard genre to master with any subtlety; one side of the fence is occupied by movies made to mock gays for 'straight' amusement, and the other side is to mock straights for 'gay' amusement. Right off the top, I'll say that I enjoyed this film. Not wildly, as 20+ years ago I enjoyed 'La Cage aux Folles,' yet nevertheless it was involving, good characterization, well-edited and paced. Yet, yet . . . . One of the hurdles for most viewers is that the film is deeply rooted in the French gay cultural scene. And if the viewer isn't familiar with that milieu, it will seem as if the film was set in the late '70s or '80s. Everything that the viewer knows or may have heard about gay life in the USA in those years seems very alive here. The point is, that IS the way Paris is, even now. While trend-setting on a variety of fronts, France has NEVER set the pace for gay culture, that honor belongs to the USA. Thus there is a soundtrack out of the Gloria Gaynor days (different songs, but reminiscent of 'Priscilla of the Desert,') and the large background cast of gay characters are reminiscent of times long gone on this side of the Atlantic. If the viewer can accept that '80s-style gay party life is still alive and well in Paris in 1996, then there won't be any jarring sense of "whoa - when was this film made?" The top-billed star is Patrick Timsit in the role of Adrien, the gay main character who loves Eva, longtime friend and owner of a gay establishment. He thinks of her as family, and even says so at one point in the movie. But the STAR of this film is Fanny Ardant (Eva), who easily steals every single scene she is in and not without reason. There is a rather flimsy opening setup about how all the characters meet - Adrien is negociating a deal with Alexandre, a banker, played by Richard Berry (sorry, Gtran, but he's the banker, not the client), and soon various wives, lovers, 'tricks' and others are all in on the act. For anyone not familiar with Ms. Ardant, she is an undiluted joy (go rent 'Ridicule,' now!). Ferociously handsome, wearing her emotions on her face (and her clothes quite well, too)while keeping her heart hidden, she engages the viewer as few actress do anymore (French actresses have a talent for that). I found Mr. Timsit arch and shrill at times, without the underlying tenderness and pathos that invested every moment of Michel Serrault's Zaza Napoli of 1978, but he suffices. Richard Berry does a fine job as a 'hetero' forced to open his horizons a bit while pursuing Eva. Michèle Laroque has the unenviable job of the 'clueless wife,' but her hesitancy and luminous beauty play very well here. Jacques Gamblin as Lemoine, Alexandre's aide, tries very hard to portray a man still caught in the 'it's hard to come out' milieu of Paris (which is, sadly, still true), but he lacks a certain "je ne sais quoi" to quite pull it off successfully; with time, he may very well become a great actor. There are a thousand and one jokes in this film that will only be understandable to francophones - and Parisian French is fast, clipped and very argotic (I can't speak about sub-titling, as I saw a VO [version originale], but I can imagine the inability to relay the sense of the original in subtitles). If you can speak French WELL, you'll laugh a lot. The nod to '90's/21st-century sensibilities about AIDS-awareness is last-minute and feels very false, thrown in as a sop. Rent the movie - it is a cult classic in France, for a variety of reasons. However, I will give you one more: as you watch this film, ponder the differences between American and French culture and consider why, in France of all places, homosexuality is still shameful.

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